In 1990, GQ magazine, in an article titled “Bloom in Love,” portrayed him as having had intimate entanglements with female students. At Yale, however, he cast himself in direct opposition to the prevailing ethos, particularly with “The Anxiety of Influence,” positing that great literature is an act of rebellion against the writers who came before.
Eliot. His friend Richard Bernstein, a professor of philosophy at the New School, told a reporter that watching Professor Bloom read was “scary.”Armed with a photographic memory, Professor Bloom could recite acres of poetry by heart — by his account, the whole of Shakespeare, Milton’s “Paradise Lost,” all of William Blake, the Hebraic Bible and Edmund Spenser’s monumental “The Faerie Queene.” He relished epigraphs, gnomic remarks and unusual words: kenosis (emptying), tessera (completing), askesis (diminishing) and clinamen (swerving).He quite enjoyed being likened to Samuel Johnson, the great 18th-century critic, essayist, lexicographer and man about London, who, like Professor Bloom (“a Yiddisher Dr. Johnson” was one appellation), was rotund, erudite and often caustic in his opinions.
Though he briefly aligned himself with In 1984 Professor Bloom took on a vast project: editing some 600 volumes of criticism for Chelsea House, a publisher of scholarly works. Get exclusive access to content from our 1768 First Edition with your subscription. Auden and T.S.
One motive for doing so was to provide for a disabled adult son. Professor Bloom found that school of thought arid.It was “no accident,” the young Professor Bloom wrote, “that the poets brought into favor by the New Criticism were Catholics or High Church Anglicans.” He added that the “academic criticism of literature in our time became almost an affair of church wardens.” “And I am very Jewish,” he told a reporter, “and lower-class Jewish at that.” His heroes were Emerson and the English Romantics, but Romanticism was in ill repute at Yale. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree....
We have to read the Bible, at least the Bloom continued to both praise and analyze the literary canon in such books as In the mid-1980s Bloom began to work with Chelsea House Publishers to “chronicle all of Western literature,” and he subsequently edited hundreds of volumes.
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Harold Bloom, the prodigious literary critic who championed and defended the Western canon in an outpouring of influential books that appeared not only on college syllabuses but also — unusual for an academic — on best-seller lists, died on Monday at a hospital in New HavenHis death was confirmed by his wife, Jeanne Bloom, who said he taught his last class at Yale University on Thursday.Professor Bloom was frequently called the most notorious literary critic in “He is, by any reckoning, one of the most stimulating literary presences of the last half-century — and the most protean,” At the heart of Professor Bloom’s writing was a passionate love of literature and a relish for its heroic figures.“Shakespeare is God,” he declared, and Shakespeare’s characters, he said, are as real as people and have shaped Western perceptions of what it is to be human — a view he propounded in the acclaimed “Shakespeare: The Invention of the Human” (1998).
He published a more comprehensive study of the Romantics, “The Visionary Company,’’ in 1961. Series titles included
The next year he received a so-called genius award grant from the Catherine and John D. MacArthur Foundation.Professor Bloom took on a greater teaching load in 1988, spending part of each week as the Berg professor of English at New York University.
Perhaps Professor Bloom’s most influential work was one that discussed literary influence itself.
That record of commercial success led many in the academy to dismiss him as a populist.
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