Our senses are simply not meant to perceive it.” The mysteries of time are bound up in the great unknowns of the body and universe, from consciousness to black holes.
But we’ve always reached for it, attempted to fix time, in language or theory, to possess it, reclaim it from the white rabbit.
Posts about Interview written by parulsehgal.
from the Spanish by Mark Fried — Publishers Weekly, 4/27/2009 In Mirrors: Stories of Almost Everyone, Uruguayan writer Galeano presents miniature narratives of creation myths and current events from all over the world. Parul Sehgal– PWxyz, March 25th, 2011. The novelist Jamie Quatro, writing in the New York Review of Books’s “Pandemic Journals,” opens her curtains one morning and wonders if she’s looking at snowflakes or cherry blossoms. I simply wanted to celebrate the glow of the terrestrial rainbow, which is much more colorful than the celestial one.Majd, grandson of an ayatollah and translator for presidents Khatami and Ahmadinejad, plunges into the heart of modern Iran in Ahmadinejad wants to give the impression to anybody he meets that he is really, particularly Iranian. “It has melted in our grasp, fled ere we could touch it, gone in the instant of becoming.” In Nabokov’s “Ada; Or Ardor,” the heroine declares: “We can never know Time. And I don’t believe that he really believes a lot of the things he says. It replicates the solitude of wilderness, the cloister, coping with chronic illness. Why did Yucca resonate so powerfully with you? Parul Sehgal discusses her path to literary criticism, her passion for international literature, and today’s finest reviewers. May 19, 2020. How many times had I read the book before I noticed, only this week, There are the paupers of time, too — the sick, the vulnerable, the caregivers — pinched and frenzied.
“It is not what we’re experiencing in our homes today.”) Jamaica Kincaid has compared it to a version of afterlife: “It’s as if we are dead and somehow have been given the unheard-of opportunity to see the life we lived, the way we lived it.”So few of these metaphors satisfy — they’re heightened, meager, inappropriate — but there is something stirring in their awkwardness, in seeing a new phenomenon slip the net of ready-made language.
The isolation of quarantine is compared to everything from living in wartime or as a refugee to being friendless at work. It is like being on acid or crazed from lack of sleep.”These could be outtakes from “Alice in Wonderland,” set in another strange month of May. Everyone is out of sync, jet-lagged in ordinary life, untethered to ordinary time while also being obsessively clock-struck. The uncertainty of the tone is what makes these pieces oddly moving, the damp childlike fright that creeps through resolve. In a profile of Mary Gaitskill, Sehgal describes the author as speaking “haltingly, with great care, as if she is on the witness stand.” On Marilyn Minter, Sehgal characterizes the artist’s drippy visions as celebrating a “leakiness in self and sensibility.” Through the Looking Glass: Q & A with Eduardo Galeano by Parul Sehgal, trans. How long has that package been disinfecting outside — two days or three? He is a master politician in many ways, but it’s hard for me to like him, although he’s certainly charming enough. Nick Laird, writing in the same series: “My daughter shouts at my son, my son shouts at my daughter, and then I shout at both of them. When did her symptoms abate? I discovered the error and became enormously excited that for the first time in my experience in political science, I could make the statement “This is wrong”: not “I think this is wrong” or “It’s my opinion that it’s wrong” or “I don’t agree.” It was just wrong.For years it was growing inside me. by Parul Sehgal — Publishers Weekly, 12/21/2009 D’Agata uses Nevada’s Yucca Mountain, once a proposed site for storing the U.S.’s nuclear waste, to meditate on a variety of ecological, political, and personal topics, including the suicide of Levi, a Las Vegan teenager, in About a Mountain (Reviews, Dec. 21). ... As someone who was once really in lockdown, we can’t minimize the experience of people in prisons,” she said in an interview. Even before his alter ego, the zany Totally Hip Book Video Reviewer, peered up at us through strips of raw bacon, the longtime book critic has been charming, disarming, and educating us every week in the pages of the Washington Post. Ottessa Moshfegh described it as “doing time.” (The incarceration metaphor is so common, it elicited an exasperated response from Angela Davis.
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