Harold Bloom in New York on March 12, 2011. “What Instead, Bloom fashioned a tour de force of quasi-prophetic argument, much of it written in a private language, complete with arcane “Star Trek”-worthy terminology (“clinamen,” “askesis”), in keeping with the 1970s fashion for theory (imported from France).
After a generation characterized by psycho-criticism and the New Criticism, Harold Bloom’s The idea of poetic influence is nothing new, and Bloom even traces the idea of “influence” for us: its origins as divine afflatus (the influence of the stars); its metamorphosis into moral effects on others, down to its more contemporary idea: that poets are decisively influenced by a handful of masterful forebears whose signatures can often be seen in the works of the later poet. Abrams, and lived abroad as a Fulbright Scholar at Pembroke College, Cambridge. In the early 1960s, he “memorized at first hearing” W. S. Merwin’s “Departure’s Girl-Friend,” a poem of some 40 lines, after Merwin gave a reading at Yale. This was the general condition of the post-Enlightenment intellectual, and it was allegorized, with dramatic force, by English-language poets, who, as they struggled to invent new poems, first resisted and then matched the examples of great precursor poets — above all Shakespeare and Milton, whose dominance seemed obliteratingly total.The revelation came in Bloom’s “misreadings” — the linkages he found. He also drew on the full range of speculative thinkers, from the ancients Lucretius and Valentinus through Vico, Schopenhauer and Kierkegaard, up to Lacan and Paul de Man. One of the acclaimed critic's best-known works, it is, perhaps appropriately, his most influential. He is also a published cartoon artist, lar... “Bloom’s theory is a welcome antidote to the Freudianism of so many other literary critics, who trace only the childhood traumas of the young poet. Bloom did not contrive this from nothing. The Anxiety of Influence: A Theory of Poetry is a 1973 monograph by Harold Bloom. The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom. It is even empty of emptiness—but in the bad way. The relationship between precursors and their poetic “sons” is likened to a Freudian “family romance,” where poetic relations seem to bear familial resemblances to one another.Equally, poetic influence, if it is not to overpower the ephebe, must be “sublimated” into a various forms.
), Mayer, Marvin. “We are not dealing with Gray’s political ideas,” he had explained, giving a last tug to his latex gloves before commencing surgery on the etherized patient of “Elegy Written in a Country Church-Yard.” “We are dealing with what the ‘Elegy’ ‘says’ — something that is not quite the same thing. And yet even today, when not denouncing “the New Historicism and its ilk,” Bloom is attentive to years and dates, at times supplying them in the cozily informative tones of a PBS documentary: “In 14 consecutive months, from 1605 to 1606, Shakespeare composed ‘King Lear,’ ‘Macbeth’ and ‘Antony and Cleopatra.’ He was 41 to 42 and clearly upon his heights as a dramatist.”Kazin’s encounter with Bloom predated, by two years, Bloom’s first steps toward self-reinvention. “If to imagine is to misinterpret, which makes all poems antithetical to their precursors, then to imagine after a poet is to learn his own metaphors for his acts of reading.” This erased the barrier separating critic from poet. The “strong” modern poet waged a Nietzschean struggle against a chosen, or repressed, elder, coming into possession of anterior masterpieces through his own misreadings or “misprisions,” which were in fact “dialectical” reimaginings of the antecedent work.
Harold Bloom’s The Anxiety of Influence: A Theory of Poetry (1973) One of the staunchest defenders of the Canon is Harold Bloom, a lone voice of dissent against Deconstruction, a final defender of authoritarianism in the Yale School of Critics, once a hotbed of radical thought. Over a long, distinguished, and varied career, he reinvented himself several times. Human evolution, which has long been largely biological process, will now continue almost entirely through techno... Tom Deisboeck is a Harvard-affiliated scientist turned entrepreneur who attended Technical University Medical School in Munich, Germany, and The Massachusetts Institute of Technology’s Sloan Business School in Cambridge, Massachusetts.
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