Ainsley Gardiner

And I feel like something needs to happen regionally. Dad was one of 18. Honourable Jury Mention, 2005 St Tropez Film Festival (France)

Had it not been for meeting Larry and learning from him, things could have been really different.Larry Parr and Ainsley Gardiner. We all have a different language to describe the way we see things.

But the blessing for them is that they’re now in a place where being Māori is the most unique and special thing about this country. So we should retain all of the elements ourselves — and also see all of the benefits.That’s a tough one. Contribute to IMDb.

And that comes back to identity. The titles listed are titles included in the New Zealand Film Commission’s Film library and may not reflect the full screenography.

The expectation on the next generation of filmmakers is that they should just get out there and do it. She was, and always has been, interested in decriminalising marijuana, and drug and alcohol education and rehabilitation.

Part of that was work placement, and I had the good luck to be placed with And, in a way, the rest is history.

Ebony Society is a short film produced by Ainsley Gardiner and Chelsea Winstanley, and tells the story of two boys out stealing who break into a house and find themselves confronted with an unexpected situation.Gardiner worked alongside her partner and former Outrageous Fortune star Tammy Davis on Ebony Society – Davis’s directorial debut. I grew up around a lot of cousins from that Pākehā side of my family. Notably Ainsley produced the short films Two Cars, One Night and Tama Tu written and directed by Taika Waititi and his feature films, Eagle vs Shark in 2005 and his (original) No. My mum is one of eight.

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Best Live Action Short Film, 2004 Melbourne International Film Festival Photo / Natalie Slade. "With George [Conder], I feel like we've matured enough to have a greater sense of what works and how to do it. And they just need to start looking around. I also read a lot and I found the same with reading. I‘ve always loved the experience of coming together with a group of people towards a shared vision.Even working with Taika, one of the first things that we established was: Yep, he’s a genius. Since then Gardiner has sought out stories by two groups who have often battled to be heard on-screen: Māori and women.

If Taika’s from the Coast, then go to the Coast.It’s hard to retain that as you get busier and busier because, logistically speaking and budget-wise, it’s not always the smartest idea. With your help, we can tell more Māori and Pacific stories.Did the Māori electorates decide the 2017 election? Honourable Mention in Short Film Making, 2005 Sundance Film Festival (United States) Best Fiction Short Film, 2005 Melbourne International Film Festival (Australia) So being both Māori and not Māori, and being both coloniser and colonised, is to balance those things.We have a unique culture in New Zealand, and, for the descendants of the colonisers, there’s a certain amount of natural guilt associated with that. These stories are told through us.

He handed Gardiner the reins to produce one of them, road movie During her six years working with Parr, Gardiner also co-produced 26-part series The collapse of Kahukura in 2002 struck Gardiner hard.

Linda Mabalot New Director's/New Visions Award, 2005 VC LA Asian Pacific Film Festival (United States) It’s the one place where I feel a little bit militant and a little bit political.

But one of the things that we, I, certainly, gravitated towards was the idea of community filmmaking. AINSLEY GARDINER Ngāti Awa, Te Whānau-a-Apanui, Ngāti Pikiao, Whakatōhea. 7 minutes to read . The following year she and writer Although well aware that success in the screen industry requires a combination of perseverance, luck and talent, Gardiner remains upbeat about creating stories for — and with — women.

Any negative stereotype that Pākehā New Zealanders associate with being Māori would just be overturned if they were to spend three days at a tangi.The awful thing for Pākehā New Zealanders is that, so often, they feel like they’re outside looking in. Ainsley Gardiner has an extensive background in producing films, such as the Oscar®-nominated Two Cars, One Night (2002) and Tama Tu (2004). Above all others, the producer holds the vision and guides the practitioners and the contributors to stay on track.I’d say the other main role is that I’m a translator and I help people who all speak different “languages”, as we do. Special Jury Prize, Honourable Mention - Panorama Section, 2005 Berlin Film Festival (Germany) I don’t always think that’s what’s important at the top table.And you know what I really think?

Otherwise, why would she have gone into politics?Not me, though.

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