Fear was part of what Arbus was seeking, even if she didn’t understand entirely why. And finally to be worthy of the company we kept," writes literary critic
“That’s all she could name it.”This spiny, scary story of moral decline, crisply plotted and no thicker than my thumb, has been heralded as the finest Indian novel in a decade, notable for a book in A strange thing about novels is how often, and strenuously, they proclaim the dangers of novel-reading.
Her books aren’t much concerned with the material conditions of women’s lives — there’s only glancing acknowledgment in “King Kong Theory”: “Why didn’t anyone invent the equivalent of Ikea for child care or Mac for housework?” Her true subject is women’s physical vulnerability, the way the threat of rape is central in how the sexes are oriented toward each other and how women collude with men in shrinking themselves, bargaining away their power in order to be desired. Catherine Morland, delusions. These are the kinds of currents swirling around the word “survivor,” the increasingly popular term for people who have experienced sexual violence.
We just knew that the book was slim enough that we could put it behind our shirts.When you come to reading in this kind of way that is not systematic, that is really governed by appetite, that is really governed by and laced with this idea of something that is subversive and secret, that never leaves you.
In therapy she discussed her habit of picking up odd-looking men on the street.
Novels are about other novels — and how they make us suffer, she wrote in her 2010 essay collection, “The Possessed: Adventures With Russian Books and the People Who Read Them.” They are about “the protagonist’s struggle to transform his arbitrary, fragmented, given experience into a narrative as meaningful as his favorite books.”Despentes’s understanding of rape shapes the feminism in her work. Why you should listen "No scorn, no condescension.We read first for distraction then consolation then for company.
So if you really want [a child] to learn to read, ban the books. “When we feel jealous, we tell ourselves a story. “Years ago I used to think it was possible for a novelist to alter the inner life of the culture,” the writer in “Mao II” says. Go deeper into fascinating topics with original video series from TED.Find and attend local, independently organized eventsRecommend speakers, Audacious Projects, Fellows and moreRules and resources to help you plan a local TEDx eventUpdates from TED and highlights from our global communityParul Sehgal is an editor for "The New York Times Book Review." Learn more about the This book has a slackness to it that suggests Roy has abdicated some of these anxieties.There is a tradition in queer women’s writing in which creative work, politics, and desire are comfortably intertwined. But there was nothing it seemed she wouldn’t do or couldn’t look at. “Once she became an adventurer she went places no one else had ever gone to,” Arbus’s lover Marvin Israel said.
translators. She was previously a columnist and senior editor at The New York Times Book Review . We were forbidden from entering this room and all we wanted to do were steal the books. Learn more about the The latest Tweets from Parul (@_parulsehgal_): "OMG!I am playing the old Nokia Bounce On my Android!! Is this true? Consider the fates of our most famous bibliomaniacs. Parul Sehgal is a book critic at The New York Times. Go deeper into fascinating topics with original video series from TED.Find and attend local, independently organized eventsRecommend speakers, Audacious Projects, Fellows and moreRules and resources to help you plan a local TEDx eventUpdates from TED and highlights from our global communityParul Sehgal is an editor for "The New York Times Book Review." We would like to show you a description here but the site won’t allow us. The lack of scholarly apparatus is deceptive: Headley has studied the poem deeply and is conversant with some of the text’s most obscure details. –Parul Sehgal on Helen Macdonald’s Vesper Flights (The New York Times) “… a brave book, in both concept and execution. They’re schooled in docility (a favorite word of hers): “Hiding our feelings . She would go on to speak and write publicly about the abuse, which continued into her 20s — even confronting George — but mirrors continued to distress her. Parul Sehgal on Colson Whitehead’s The Nickel Boys (The New York Times Book Review) For my money, Sehgal is the best lede writer in the business.
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