Ellingtons Geschick, hier mit kleinen formalen Unregelmäßigkeiten und melodisch-harmonischen Finessen „das Standardschema interessant zu gestalten“, hebt Die Komposition wurde vom Ellington-Orchester erstmals am 4. Song information for Cotton Tail - Louis Armstrong, Duke Ellington on AllMusic AllMusic. Cotton Tail ist eine Jazz-Komposition von Duke Ellington aus dem Jahr 1940, die zum Jazzstandard wurde. Ellington hired him, and the story made front page news in With edition of Blanton and Webster, Ellington now had a solid crew that could outplay virtually any band around and starting in the forties, the Ellington band peeled off one great recording after another. But after a run-through of the main theme, Ellington introduces an entirely different four-bar theme, just when the listener expects a repeat of the first. But "Cotton Tail was the real artistic triumph that would point to the direction jazz would take in the future. The 10,000th view happened some seventeen months later. Gunther Schuller writes that Webster's solo "finds a remarkable balance between a whole world of musical ideas: swinging eight-note phrases interspersed with long and expressive held notes, some of these embellished with passionate vibratos and shakes, tonal colorations ranging from soft hues to hot and raspy timbres, all a rich mixture of the predictable and unpredictable. But nothing solidified the band like the addition of the double threat of Jimmy Blanton and Ben Webster. Mai 1940 in In der Ersteinspielung ist der Song geprägt durch die Riffs des Saxophonsatzes und die gewundenen Chorusse des Solisten Ben Webster.Im November desselben Jahres wurde eine weitere Version des Stücks bei einem Für den Ellington Biografen Hans Ruland gibt die Ersteinspielung von Wesentlichen Anteil habe daran auch der Bassist Jimmy Blanton, „dessen solides Baßfundament der Band wie dem Solisten den nötigen Halt und Druck gab.“Websters Solo wurde damals vom Publikum als so „sensationell empfunden,“ dass dieses es in Konzerten „Note für Note immer wieder hören wollte.“Später scattete Dee Dee Bridgewater den Song in ihrem Tributalbum an Ella Fitzgerald (1997). Sources: Collier, James Lincoln. Various Artists As Ellington's players grew territorial over their featured songs, he was forced to include a number of solo spots in his performances to make sure everyone got their time in the spotlight. New Releases. Song information for Cotton Tail - Duke Ellington & His Orchestra on AllMusic New Submission Leave it to Ellington to be ahead of the pack. That is very good news for me and for everyone who likes this thing called swing. Song Moods. Ellington, Edward Kennedy. New York: Oxford University Press, 1987. While "Cotton Tail was merely a blip on the radar for Swing music fans, plenty of musicians absorbed what it had to offer. Ellington developed his melodies not just as songs; he also carved out room to showcase his band members. It is based on the rhythm changes from George Gershwin's "I Got Rhythm". Find album reviews, stream songs, credits and award information for Anthologie 2: Cotton Tail - Duke Ellington on AllMusic - 2013 Very recently, swingandbeyond.com has hosted its 20,000th viewer! 15 • Format: Vinyl LP, Album, Stereo • Country: UK • Genre: Jazz • Style: Bop, Big Band, Swing Cotton tail Lyrics: Come on, wail / Wail, Cotton Tail / Benny Webster, come on and blow for me / That's Cotton Tail / Come on, wail / Wail, Cotton Tail / Benny Webster, come on and blow for me / That' "Never No Lament eventually evolved into "Don't Get Around Much Anymore, one of Ellington's best-known songs. It therefore follows the thirty-two bar form of the popular song, at least to start off. “East St. Louis Toodle-O.” Duke Ellington and His Orchestra. He developed his style from Coleman Hawkins, yet eventually began to draw on the romantic sensibilities of Johnny Hodges for his inspiration. Song information for Cotton Tail - Duke Ellington & His Orchestra, Ben Webster on AllMusic. Song information for Cotton Tail - Duke Ellington on AllMusic Powered by Blanton and Greer, the band builds in intensity to a dissonant climax, yet with an extraordinary control of dynamics, before a recapitulation of the main theme. Big Band (9) Swing (9) Early Jazz (6) Add Styles. Beyond Category: The Life and Genius of Duke Ellington. “Cottontail.” D uke Ellington and His Famous Orchestra. "Cotton Tail features one of Webster's best solos, and also one of the greatest ever recorded. In one magical session on May 4, 1940, Ellington cut two classics: "Never No Lament and "Cotton Tail. The Smithsonian Collection of Classic Jazz, Revised: Volume III. Song information for Cotton Tail - Duke Ellington & His Orchestra, Ben Webster on AllMusic It has become a cliché to say that a solo tells a story, but Webster achieves just that: a commanding introduction, the development of key phrases, the build to a climax, all of which has a distinct narrative quality to it. Add Genre. 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Label: Polydor - 545 115 • Series: Polydor Special,Jazz Masters (2) - Vol. View credits, reviews, tracks and shop for the 1969 Vinyl release of Cottontail on Discogs. Sources: Collier, James Lincoln. Various Artists
Hasse, John Edward. Song information for Cotton Tail - Duke Ellington & His Orchestra, Ben Webster on AllMusic ... All Genres. Originally an instrumental, "Cotton Tail" later had lyrics written for it by Ellington.
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